--With sheer audacity and utter authenticity, director Lee Daniels tackles Push: Based on the Novel by Sapphire and creates an unforgettable film that sets a new standard for cinema of its kind. Precious Jones (Gabourey Sidibe) is a high-school girl with nothing working in her favor. She is pregnant with her father’s child—for the second time. She can’t read or write, and her schoolmates tease her for being fat. Her home life is a horror, ruled by a mother (Mo’Nique) who keeps her imprisoned both emotionally and physically. Precious’s instincts tell her one thing: if she’s ever going to break from the chains of ignorance, she will have to dig deeply into her own resources.Don’t be misled—Push is not a film wallowing in the stillness of depression; instead, it vibrates with the kind of energy derived only from anger and hope. The entire cast are amazing; they carry out a firestorm of raw emotion. Daniels has drawn from them inimitable performances that will rivet you to your seat and leave you too shocked to breathe. If you passed Precious on the street, you probably wouldn’t notice her. But when her story is revealed, as Daniels does in this courageous film, you are left with an indelible image of a young woman who—with creativity, humor, and ferocity—finds the strength to turn her life around.
Berry's initial success was tempered by the hard reality of showbusiness. The copyright for "Maybellene" contained the names of Alan Freed and Russ Fratto as well as Berry's; while Freed's name on the song ensured airplay, it also reduced Berry's royalty payments. Additionally, Berry discovered that his first road manager, Teddy Reig, was pocketing money from his live appearances. Learning from these initial pitfalls, Berry realized that self-sufficiency and independence were keys to long term survival in the business, and from this point on, he became determined to take charge of his own affairs, sowing the seeds for the later allegations of his being difficult to work with.
jaybritt
cheers!
